Arthur Illies

Nixe im Schilf

[Mermaid in the Reeds]

1898, color zincograph

 

Arthur Illies (Hamburg 1870 - 1952 Lüneburg)


"Nixe im Schilf" (as titled on the contents page of the portfolio)

[Mermaid, Water Nymph, or Siren in the Reeds]

1898


color zincograph (also known as a zinc etching) on wove paper

sheet 28,5 x 20,4 cm


monogrammed in the plate and with a stamp in the lower right margin


catalogue raisonne: Arthur Illies - Graphikwerkverzeichnis (GWV), GWV-Nr. 71, www.illies-stiftung.de. 


This rare print is from the second and last portfolio of the Hamburgischer Künstlerclub [Hamburg Artist Club]. The Daulton collection owns a copy of the entire 6-print portfolio, from an edition of only 25 copies.  


The Daulton Collection


Illies also designed the cover of the portfolio:

Arthur Illies (Hamburg 1870 - 1952 Lüneburg)


cover illustration for the second portfolio of prints published by the Hamburgischer Kuenstlerclub [Hamburg Artists Club]


1898


color zincograph (also known as a zinc etching)

sheet approx. 28,5 x 20,4 cm


monogrammed in the plate lower left


The Daulton Collection


The illustration consists of the club's emblem, surrounded by Jugendstil curvilinear ornamentation, accompanied by the inscription "Hamburgischer / Kuenstler / Club 1898 / Selbstverlag" [Self-Published].


The portfolio contains 5 lithographs (1 in color) and 1 color zincograph.


"This second (and final) portfolio produced by the 'Hamburgischer Künstlerklub' (Hamburg Artists' Club) was issued in a very small edition, as the first portfolio, released in 1897, had met with only limited commercial success. The sale of graphic art portfolios proved challenging during the turn-of-the-century period, as buyers of works by contemporary Hamburg painters were primarily interested in pictures intended for wall display; the dedicated collector of graphic art—comparable to the collectors of Old Masters—did not yet exist."  Joachim Lührs


["Diese zweite (und letzte) Mappe des Hamburgischen Künstlerklubs erschien in einer sehr kleinen Auflage, da die erste Mappe 1897 nur einen geringen Verkaufserfolg gehabt hatte. Der Verkauf von Graphikmappen gestaltete sich in der Zeit um die Jahrhundertwende schwierig, weil die Käufer zeitgenössicher Hamburger Maler an Bildern für die Wand interessiert waren und es den Grafiksammler, wie für die Altmeister, noch nicht gab."  Joachim Lührs


portfolio table of contents:


Contact:
Symbolismus
The Daulton Collection
thedaultoncollection@outlook.com